September 22nd, 7:00PM in Garland 104 (2441 E. Hartford)




This blog includes information on the Asian Film Series at the University of Wisconsin Milwaukee. The Goal of this series is to expose students and those in the community to a range of Asian films many of which are little known in the US. All screenings are free and open to students and non-student alike. The series is hosted by the Center for International Education, but is not directly connected with the Center or the University and does not necessarily represent the views of either.
Moon Over Tao has all the hallmarks of a typical Amemiya film. It takes place in a foreign environment that none the less has the look of a slightly distorted version of the real world. And it centers upon the interpersonal relationships of a group of mismatched companions as they must come to terms with their own personal histories as much as it revolves around the central story of magic and aliens in feudal Japan. But the unique aspect is that it does so in such a convincing way.
Some of the plots of other Amenmiya films include an invincible alien trapped in a shadow version of Tokyo along with two ordinary electricians and a beautiful bounty hunter in Zeiram (1991,) and an amnesiac robotic man fighting Christian cyborgs in a dystopian future in Mechanical Violator Hakaider (1995.) If these sound somewhat absurd then the power and genuine feeling of the characters and stories may come as a surprise. Moon Over Tao is another example of this. On the surface it is about a reclusive monk and a sullen swordsman’s hunt for strange swords forged from an unbreakable metal. But it quickly comes to revolve around notions of family, abandonment and loyalty to ideals and their cost.
The Hui Brothers return for their last film together until the scathing 1990 parody of tabloid reporting, Front Page. In a way this marked an end of an era. An era in which Cantonese cinema was reestablishing itself and the new wave was exploring themes that were otherwise rarely covered. Directed by and costarring maverick Michael Hui who shortly would go on to make a string of biting comedies dealing with otherwise taboo social issues. Security Unlimited is an early example of this trend in that it explores notions of illegal immigration from mainland China.
Like the other films from the brothers, this installment drops them into an unusual situation, that of security guard for hire while they are free to explore their individual persona.