Monday, September 14, 2009

Ronin-Gai (1990)

Ronin-Gai (1990)


September 17th, 7:00PM in Garland 104 (2441 E. Hartford)

***The screenings will now begin at 7:00PM***


As a film, Ronin-Gai (1990) has an amazing degree of historical and critical convergence. Its pedigree reaches back to the early Japanese film industry and beyond. It is also the final film of actor Shintaro Katsu who’s Zatochi character is a legend of world cinema. The basic plot involves a community of Ronin living around a rural inn. Set in Japan during the 1830's, towards the end of the Tokugawa Shogunate, a time of great stagnation. The film is deceptive in that it seems to be centered on a series of prostitute murders, but there true significance goes much further then simple crime.

The film was directed by Kazio Kuroki as a reminiscence and homage to his film making family. It was made to commemorate the 60th anniversary of the death of his Grandfather Shozo Makino, nicknamed the Father of Japanese Film, who amongst other areas was a pathfinder in period swordplay films. The film of the same name that this is a loose remake of was made in 1928 and based upon a novel. The original was directed by Masahiro Makino the sun of Shozo Makino and father of the director of the 1990 version. The original was one of the last of a string of period films which challenged traditional views of Japans feudal period and the idea of the Samurai. At times these films were used to provide commentary over the growing militarism and cultural conservatism sweeping Japan. By the late 1920's sweeping censorship was in place and it would increasingly become government policy to deal harshly with any dissenting voices including imprisonment, torture and murder only ending with the Japanese defeat in the Second World War.


Of the four Ronin or Masterless Samurai in the film, the most engaging is without a doubt a man nicknamed Bull played in his last performance by Shintaro Katsu. During a long career Katsu is best known for playing a blind swordsman known as Zatoichi in 25 films and a TV series. Besides this he had numerous other roles in other films. He was also a major film producer probably best known for the Lone Wolf and Cub film series starring his brother. Ronin-Gai remains a triumph of the genre and a celebration of Japanese film.
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Japan, Director Kazuo Kuroki, Cast Yoshio Harada, Kanako Higuchi, Renji Ishibashi, Shintaro Katsu and Eisei Amamoto, 121 minutes, in Japanese with English subtitles.

Monday, September 7, 2009

The Kingdom and the Beauty (1959)

The Kingdom and the Beauty (1959)


September 10th, 6:30PM in Garland 104 (2441 E. Hartford)



In 1958 Director Li Han Hsiang created a cinematic hybrid of the traditional Huangmei opera type. The result was the period epic Diau Charn (1958) which began a trend that would make Huangmei opera films one of the most popular cinematic genre of Hong Kong, Taiwan and Southeast Asia for nearly a decade. He would go on to direct many more of these films, but three of them would be singled out as the greatest classics of the type. Diau Charn, The Kingdom and the Beauty (1959) and The Love Eterne (1963). They would respectively win Best Director and then Best Film at the Asian Film Awards and Taiwan’s Golden Horse award for Best Director.

Huangmei Opera originally came from China’s Anhui Provence and is one of dozens of regional opera forms. The name literally mean Yellow Plum Tunes and its unique elements include restrained movements and frequent repetition of action and lyric. Before 1958 the two dominant opera forms in Hong Kong cinema were Cantonese and Beijing Opera, but for a period of roughly eight years they faced major cinematic competition.


The plot of Kingdom is based upon a myth regarding a Ming Dynasty Emperor who journeies into the countryside in disguise and falls in love with a beautiful courtesan. The star of the film is Linda Lin Dai, who plays the courtesan. She was one of the prominent superstars of the era and in 1959 was only gaining in popularity. Her tragic 1964 suicide has left the actress with a mythic and eternal quality in popular memory.

The Huangmei Opera type is closely associated with Hong Kong’s massive Shaw Brothers Studio. These films became their major prestige pictures and were lavished with time and resources. They became a major weapon in their battle against the MP&GI studio, later renamed Cathey for dominance. Some of the major hallmarks of their films are lavish color cinematography, exquisite costumes and grand sets.
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Hong Kong, Director Li Han Hsiang, Cast Linda Lin Dai, Li Jen Ho, Bo Hong and King Hu, 95 minutes, in Mandarin with English subtitles.


Sunday, August 30, 2009

Wet Dreams (2002)

Wet Dreams (2002)

September 3rd, 6:30PM in Garland 104 (2441 E. Hartford)



Set in the 1980's, the film follows a group of friends through Junior High as they deal with events in their lives and encounter complications caused by a new teacher. The film is a teen drama wearing the guise of a teen sex comedy.






South Korea, Director Jeong Cho-Sin, Cast Lee Beon-Su, Kim Seon-Ah and No Hyeong-Wuk, 94 minutes, in Korean with English subtitles.

Friday, August 14, 2009

The Asian film series will soon return



The Asian Film Series will be returning in early September 2009. A wide range of films have been screened durring the previous eight month run of the series and this will continue to be the case in the coming months. Bellow is a small breakdown of the previously screened films broken down by nationality. Further details will be forthcoming, please check this blog for updates.


China (mainland)

-Blind Shaft

-Princess Iron Fan

-Romance of the Western Chamber


Hong Kong

-Air Hostess

-The Eagle Shooting Heroes

-The Greatest Civil War on Earth

-Lady General Hua Mu-Lan

-Mambo Girl

-Miracles

-Scandal


India

-Disco Dancer

-Fire


Japan

-Charisma

-Fall Guy

-Galaxy Express 999

-High and Low

-The Street Fighter

-Village of Eight Gravestones


South Korea

-Fun Movie

-The Good, The Bad and The Weird

-My Wife is a Gangster

-The President's Last Bang

-Ring Virus


Taiwan

-Dragon Gate Inn


Thailand

-Citizen Dog

-Killer Tattoo

-SARS Wars


Vietnam

-The Rebel

Wednesday, May 20, 2009

Mambo Girl (1957)

Mambo Girl (1957)

May 21st, 6:30PM in Garland 104(2441 E. Hartford)



This western style musical was an early hit for superstar Grace Chang who would headline many of the best film of the MP&GI studio during the late 1950's to mid 60's. She plays a teenager with a loving family. One day she discovers that she is adopted. Now she begins searching for her biological mother while trying to understand the true meaning of family.





Hong Kong, Director Li Han Hsiang, Cast Linda Lin Dai, Li Jen Ho, Bo Hong and King Hu, 95 minutes, in Mandarin with English subtitles.

Thursday, May 14, 2009

Killer Tattoo (2001)

Killer Tattoo (2001)

May 14th, 6:30PM in Garland 104 (2441 E. Hartford)




In Bangkok of the not too distant future, a group of the Thailand's professional assassins enjoy socializing between jobs. They are forced to band together when through a coincidence, one of them becomes the number one target of the Thai underworld.

Suthep-ngam stars as Pae Buffgub, the leader of the assassins. He is better known for the character of Master Thep in the zombie comedy SARS Wars.




This is a action comedy that is firmly tongue-in-cheek and features such characters as a aged Hippy assassin as well as a former assassin that through a head injury firmly believes himself to be Elvis.


Thailand, Director Yuthlert Sippapak, Cast Somchai Khemglad, Thao Rae, Suthep Phongam and Petchtai Wongkamlaow, 114 minutes, in Thai with English subtitles.

Tuesday, May 5, 2009

High and Low (1963)

High and Low (1963)

May 7th, 6:30PM in Garland 104 (2441 E. Hartford)


Akira Kurosawa directed this story of a rags to riches Industrialist who's son is kidnapped on the verge of his greatest triumph. In an attempt to save the boy he is assisted by undercover police detectives as they try and discover who has taken the child.

The second to last film before the end of Kurosawa's most prodigious period as a Director, it shows his genius at its full strength. The story also subtly references discrimination of the burakumin, a minority group within Japanese society that are historically held in contempt, not unlike the untouchables of India.


Japan, Akira Kurosawa, Cast
Toshiro Mifune, Tatsuya Nakadai, Kyoko Kagawa and Tatsuya Mihashi, 142 minutes